Part 3
In this third part of the VITALIZER development story, we continue our interview with Mr. Yukihiro Hayashi of Free The Tone.
In this part of the article, I would like to delve into the how's, why's and in what form Mr. Hayashi developed his philosophy for the guitar sound system by tracing his career back to the time he first became involved in development of the VITALIZER. In this part, the reader should get a good understanding of how Mr. Hayashifs experience and career background have been put to full use in the development of the VITALIZER. It's easy to see that he's not just another engineer, but that he has been in the forefront of the music scene along side professional musicians, and also that he has developed a deep relationship and trust with Pete Cornish, a leading authority on the international scene in the sound equipment field.

Chapter 5: Mr. Hayashifs career background

First of all, I asked Mr. Hayashi about how is career unfolded from when he first got involved in the music scene and music-equipment related fields up to the present.

Hayashi: "I formed a band and played the guitar when I was a student. In those days, I was trying to create an effector, etc., and was going over articles in music magazines. When I was in the university, I majored in mechanical engineering and I began to get interested in tube amps at the time, often taking them apart and remodeling them. Also during my university years I took a part-time job at a musical instrument import agent where I was involved in the assembly and maintenance of sound systems for guitars. My part time job took me to many different places and gave me the chance to meet various famous people, including Noboru Takasaki of Loudness and Seikima II. After graduating from the university, I found a job with a company manufacturing professional audio and video equipment, including effectors and amplifiers for musical instruments. About a year after joining this company, I received a business proposition from an acquaintance I met at my previous part-time job to work as a support technician for maintaining sound systems for recording sessions and concert tours for 'HIDE' of X-JAPAN. During this time I commuted from Nagano to my work place to Tokyo which gave me the opportunity to work as a guitar technician with X-JAPAN."

During the time that Mr. Hayashi worked as a guitar technician for X-JAPAN's 'HIDE', he not only became involved in equipment maintenance and configuring sound systems, he also created various devices such as a ring modulator for 'HIDE' and a line selector for 'PATA'.

 
Hayashi: "I took on this job mainly to become involved in creating sound for recording purposes more than anything else. I tried out various different things when recording the 1st solo album for Hide."

While Hayashi continued working for various professional musicians involved in the music scene, the company where he had his regular job decided to scale down its musical instruments business, so he left it and took up a new job with an audio equipment importer, which outsourced technical jobs for musical instrument technicians. While working for this agency, he was not only in charge of on-site technical support for musicians on the actual music scene, but he also went a step further and created custom made equipment for musicians. After that he found employment in the professional audio division of Nihon Victor (Victor Company of Japan) and became involved in designing professional audio equipment for business applications.

Hayashi: "At Nihon Victor, I was involved in the development of analog/digital mixers and digital amplifiers. In the professional audio field, ensuring reliability is more important than anything else. An extremely high level of knowhow is needed to keep up with the requirements for designing equipment that doesn't break down and also in determining what tests should be performed to avoid problems with equipment during actual use. I worked for Nihon Victor for approximately five and half years and was involved in equipment design for the entire stint. The experience and knowledge I gained while working at Victor has greatly influenced my life in the musical equipment field."



Chapter 6: Meeting of "Pete Cornish"

After that, Mr. Hayashi left his job at Nihon Victor and joined today's Pacifix. It was at this time that Mr. Hayashi left Japan for England to meet Pete Cornish in order to support the Pete Cornish products that Pacfix handled, and also to receive his technical guidance. On the other hand, Pete also needed Mr. Hayashifs knowhow of MIDI and digital technology, so Mr. Hayashi stayed in England for two months and worked onsite in actual music studios with musicians and at concerts venues, in addition to working at Pete's workshop.


œPete Cornish

Hayashi: "I had known of Pete since I was twenty years old and I had always wanted to meet him in person one day. However, when I actually did get the opportunity to meet and talk with him for the first time, the experience was far different than I had imagined it to be. I recall one story that really surprised me. Pete had designed and created an automatic control power source for Paul McCartney for Paulfs world tour concerts. However, an accident occurred during the actual performance where the power source fell off the stage. Although the power source itself broke when the accident happened, the power supply was automatically switched to the auxiliary source so that power was continuously supplied and both the sound output continued and the performance carried on without the power being cut off. I was quite amazed. The routing systems created by Pete and custom routing systems I create for musicians are always designed by taking into account situations when they breakdown and enable the system to continue to output sound even when certain components have been damaged or when other problems occur. We both incorporate several such ideas in our equipment so that the performance can carry on even after problems occur."

Pete Cornish's philosophy on sound systems has been fully put to use in designing custom products for musicians provided by Free The Tone, a custom shop which Mr. Hayashi established as a group company of Pacifix after he returned to Japan. It is also widely put to use in the design of PROVIDENCE brand effectors and signal routing equipment. Some people knew that Pete Cornish has a rather negative stance towards the true bypass switch for effectors, etc. Pete's stance also has influenced Hayashi's background in developing the VITALIZER.

Hayashi: "Pete's idea is based on his experience in solving problems that occur when various items of equipment are combined into a system. In situations where the equipment to be connected has not yet been determined, the design is put forth by taking into account which type of circuitry will result in fewer problems. In Pete's case, he adopts a method whereby electrical circuitry is always inserted between the respective equipment items and signals transmitted to the subsequent equipment pass through the electrical circuitry, even when the pertinent equipment is OFF."

 
Hayashi: "Pete never provides circuitry designs which he creates himself to other companies. Accordingly, I didn't design the VITALIZER based on circuitry designed by Pete, but I think that we both employ the same basic concept."


œMr. Hayashi busy working at Pete's workshop


œRack system for Paul McCartney

Having read the previous part on development concepts for the VITALIZER and this part relating Mr. Hayashifs experiences regarding equipment reliability problems encountered while on the professional music scene, the reader should have an idea as to how and why development of the VITALIZER was so strongly desired and how Mr. Hayashi gained the enthusiasm to meet such requests.

Taking into account its universality, the VITALIZER is currently available as a product in the form of compact effector type PFX-5 which can be easily combined in systems for guitarists and bassists. Next, we ask under what type of settings does the VITALIZER display it's full power? In the following part, in addition to introducing actual examples of the VITALIZER displaying its power, I will also delve into how the VITALIZER is used under various applications.

(By Keishi Kawakami)